Adega Machado

About Us

A fado house in Bairro Alto, since 1937

How it began

Founded by Armando and Maria de Lurdes Machado in 1937. On the same stage for almost ninety years.

Armando was a fado violist. Maria de Lurdes, a fado singer. They opened the house in a small tavern on Rua do Norte. It first went by the name Barrete Verde. The name didn't last long.

Adega Machado was the second fado house in Bairro Alto. It was the first to hold a performance every night.

Who sang here

Amália Rodrigues was family. Godmother to two of the five Machado children, she would come for late suppers after her sets at Café Luso. She felt at home and often sang for the pleasure of it. One night, carried by the moment, she stepped into the street leading a parade; the diners followed. The Bairro Alto police, mistaking the group for an unauthorised gathering, stopped them in their tracks.

Alfredo Marceneiro closed his career on this stage; it was the last place he was ever under contract. Mariza, at seven years old, opened hers here. Carlos do Carmo, Fernando Maurício, Beatriz da Conceição, Maria da Fé, Celeste Rodrigues — Amália's sister, who kept singing here almost until she was ninety — and many other names the walls remember.

Adega Machado entrance in Bairro Alto, a traditional restaurant in Lisbon
Fado singer performing with Portuguese guitar and viola on the Adega Machado stage, Bairro Alto, Lisbon

How fado happens here

This is not a show. It is the house that receives those who come to sing. The line-up is chosen carefully, fado singer by fado singer. The nights are long, but they have their own rhythm: fado happens between courses, and the kitchen pauses when it begins.

Those who come to listen, stay silent. That is the rule of the house — and it is the only one.

The façade, the walls, the stage

Three things stand the test of time in this house: the entrance panel, the collection covering the walls, and the stage where fado is sung.

The façade

The tiled façade is by Thomaz de Mello — known as Tom — a Portuguese-Brazilian artist of the second modernist generation. He devoted the panel to Portuguese folk culture, fado, the Portuguese guitar, and Lisbon itself. It is today a classified municipal heritage site.

The walls

More than a hundred photographs, paintings, and caricatures from the Machado family collection fill the walls of the house. Each piece is a fragment of the history of fado — and of Lisbon — in the twentieth century.

The stage

The room was fully renovated in 2012, after three years of work. From the old house, only the façade and the collection remain. The rest is new. The stage stands where it always stood.

Opening Hours

Open every day from 19:30 to 01:00

Fado Show from 20:30 to 01:00

José de Oliveira, Lda. — NIPC 500 158 584

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